Zena Dell Lowe

Zena is an independent filmmaker who has worked professionally in the entertainment industry for over 15 years as a writer, producer, director, actress, and script supervisor. Zena also teaches advanced classes on writing at numerous writer conferences across the country, and as an adjunct professor at Covenant College in Georgia, and Regent University in North Carolina. Zena currently resides in Bozeman, Montana, where she creates a variety of content for commercials, television, and film through her production company, Mission Ranch Films. She also writes for comic books and graphic novels, most recently, Strawberry Shortcake, published by IDW Publishing in March, 2017.

Zena has won numerous awards for her work, including "Best International Short Film Director" for Rag Doll at the 2015 Louisiana International Film Festival, and two "Grand Prize" wins for her script, "Trial by Fire," at both the 2016 New York Screenplay Competition, and ISA's highly acclaimed 2016 Emerging Screenwriter's Contest. Zena has several other projects in the works, including "Big Sky Crazy," a comedy, mockumentary TV pilot, which recently finished promotional video filming.

Zena is currently accepting submissions for projects that would make a great movie. If you have a completed screenplay or novel that you think should be made into a film, please schedule a time to meet with Zena during the one-on-one sessions in order to pitch your story idea. Only requested materials will be accepted.


Continuing Class Presented by Zena:

Hollywood Story-Telling Tools: What Hollywod Knows That Every Writer Should Learn
This is a craft-oriented curriculum for novelists and screenwriters. If you've been to the movies lately, you'll know that Hollywood does something extremely well. They know how to tell good stories. In this continuing class, we will explore practical tools that Hollywood uses in order to help bring your writing to the next level. NOTE: This class will use film clips. While the instructor has selected clips that she believes best illustrates the principles being taught, please be advised that there may be some content suited for mature audiences only.

We will cover: 

Finding Your Story 
The choice of what story to tell is the most important decision you will make as a writer. Don't waste valuable time and energy on a story that won't get published or produced. Find out how to choose the right story from the get-go.

The Three-Act Structure, Hollywood Style
In this session, we will breakdown the “Hollywood formula” and learn what Hollywood does that's so successful. Then we'll discover the Hollywood Beat Sheet for you to apply to your own story so as to make your project work from the beginning, through the middle, to the end. (If possible, please watch the film "Witness" starring Harrison Ford prior to attending.)

It's All About Character   
Why do some characters seem real while others fall flat? This course will break down the essential elements of a great character and give you practical tools to enable you to develop unforgettable characters for your own stories. 

The Eight Essentials of Great Dialogue
Dialogue can make or break a story. Do you find yourself wishing your dialogue was a little spicier and a little less contrived and drab? This course will teach eight essentials of great dialogue and twelve tools you can apply to make your dialogue sharp.

Set-ups and Pay-offs
The worst thing in the world is when you read something in a novel or hear something in a film and know you have just been “set up.” This session will explore ways to make your set-ups invisible, so that when you finally pay them off, the audience will truly be satisfied.

Mastering Visual Images: The 7 Levels of Meaning in Story  
Do you want to take your story to the next level and really make it great?  Do you want to learn how to “show” and not “tell”? By studying the  seven levels of meaning in story, you'll see how most writers only use one.  In this session we will consider what we mean by calling stories a “visual” art form, and discover how to construct more complex visual imagery in novels and screenplays so as to portray deeper levels of meaning through your stories.